For today’s assignment, write a scene at the park. Up for a twist? Write the scene from three different points of view.
A man and a woman walk through the park together, holding hands. They pass an old woman sitting on a bench. The old woman is knitting a small, red sweater. The man begins to cry. Write this scene.
Today’s twist: write the scene from three different points of view: from the perspective of the man, then the woman, and finally the old woman.
If point of view was an object, it would be William Carlos Williams’ infamous red wheelbarrow; everything depends on it.
Consider a car/pedestrian accident: the story differs depending on whether you’re the driver, the pedestrian, or the woman across the street who witnessed the horror. Everyone will tell a different story if asked to recount the event.
Shifting point of view can be your best friend if you’ve got writers’ block. If you’re stuck or you feel your writing is boring and lifeless, Craig Nova, author of All the Dead Yale Men, suggests shifting the point of view from which your story is told:
Take point of view, for example. Let’s say you are writing a scene in which a man and a woman are breaking up. They are doing this while they are having breakfast in their apartment. But the scene doesn’t work. It is dull and flat.
Applying the [notion] mentioned above, the solution would be to change point of view. That is, if it is told from the man’s point of view, change it to the woman’s, and if that doesn’t work, tell it from the point of view of the neighborhood, who is listening through the wall in the apartment next door, and if that doesn’t work have this neighbor tell the story of the break up, as he hears it, to his girlfriend. And if that doesn’t work tell it from the point of view of a burglar who is in the apartment, and who hid in a closet in the kitchen when the man and woman who are breaking up came in and started arguing.
Need a helping hand? Head to The Commons.